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#Trainspotting #analysis. #bcotmedia students - do you need help preparing for an #interview? Message me and we will help you to prepare
#Trainspotting (Boyle, 1996)
In this shot Danny Boyle has chosen to frame Spud (Ewan Bremner) with a Wide Shot so as to capture his whole body in a large, empty, and prosaic (every day/ commonplace/ dull) room.
This creates a juxtaposition (placing together for comparison or contrast) that seems to accentuate his spiky and idiosyncratic (peculiar to the individual) awkwardness.

#Trainspotting #analysis. #bcotmedia students - do you need help preparing for an #interview? Message me and we will help you to prepare

#Trainspotting (Boyle, 1996)

In this shot Danny Boyle has chosen to frame Spud (Ewan Bremner) with a Wide Shot so as to capture his whole body in a large, empty, and prosaic (every day/ commonplace/ dull) room.

This creates a juxtaposition (placing together for comparison or contrast) that seems to accentuate his spiky and idiosyncratic (peculiar to the individual) awkwardness.

 
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